Euclidean Circuits is my electronic music project, built around improvisation, modular synthesis and algorithmic composition. The work is created using modular synthesisers, bespoke Arduino-based instruments and custom software environments developed in Cycling ’74 Max. Many of the tools used in the project are developed under my EventFieldAudio label, where I design applications and plugins that explore probability, indeterminacy and emergent musical behaviour. Rather than beginning with fixed arrangements, pieces often emerge from systems that generate variation and unpredictability, allowing structure to form through interaction rather than prescription.
My philosophy around electronic music centres on exploration, indeterminacy and responsiveness. I am interested in creating systems that behave more like instruments than machines, where performance and composition exist as part of the same process. The aim is not simply to program sounds, but to design environments that produce evolving musical ideas. Each recording becomes a document of a moment in time, shaped by technology, intention and the unpredictable nature of the systems themselves. Through Euclidean Circuits and the development of EventFieldAudio tools, the project reflects an ongoing interest in how technology can extend authorship without replacing it, enabling discovery rather than automation.
